Friday, March 26, 2010

Cycladic Architecture Refuting the Premises of Abstract Expressionism and the Greenbergian Critique of Illusionism




(A little more than a decade ago, I traveled in Greece. Among other things, I got to go to Asclepius' temple in Epidaurus. I had a wonderful time ferrying among the Cyclades, impossible to capture literally. My itinerary was, to some extent, influenced by Henry Miller's inspired "The Colossus of Maroussi")

I have become a
blue shutter on a Cycladic
window that has melted into the spiraling streets
of an endless
white
city.

The city has disappeared
into a mountain
of shaving foam cloud
suspended in the sky
of my heart, land-legged
in a yawing sea.
Chalk white mosquito the size of a
hockey rink, humped
by a blue elephant. I am a Matisse
beneath whitewash, invisible symphony
dancing to a Charybdis of lava,
imprisoned by walls of nothingness
unimaginably thick. A whirlwind paper-clipped
to a turn-the-world. Place has
collapsed to a rectangular center,
a cubeless Picasso of Miles-horn and
Bernaise sauce, wildflower fireworks in a green sky,
a Memphis of marble tessera,
ironic gravity,
levitating geraniums
envased in shamrock,
an Acropolis wall-papered with postcards,
battalions of hemlock-Pepsi,
hemlock-Coke,
maieutic suntan,
heuristic dialectic.
Egyptian L'Ascaux.
A cock for Aesclepius,
a rock for Prometheus,
an orphanage for Rousseau,
a spider of Damocles
for a gigolo Odysseus.
X-rays with planetary half-value-layers
compress a rib in Tribeca
on a Roman fresco:
a song in St. Louis
on a skin of Drambuie.
Satellite to an eardrum,
laser to guitar strum,
megastar to drunken bum,
asphault of innuendo
tarnish on a monster of Loch Ness.
The shutter incandesces like the water on the sun
and I am all the Kodachrome in all the world,
tears that wed, bury, baptize,
birth. For-profit sex acts, numberless
once-in-a-lifetimes ubiquitous,
a flutter of milliseconds in
automated darkness,
eternity throttled with endless
loneliness -- borrowed memory.

Everywhere, the gods are at play;
in the afternoon,
in a shuttered room,
we sleep in love as if we
pray, shadows of a ferry's fumes
that dance while fast they blow
away.

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